Hardly seems possible that two years have past since Jo Verrent and myself showcased @DigitalBrighton 4 of our ShortCircuit Arts Council, South East ActionResarch collaborations at Lighthouse Arts.
What better time to tap into the wonder of what happens when disability and digital collide than 2 years on to the day, focusing on two of our original ShortCircuit artists: Chisato Minamimura & Jon Adams, both of who took the kernals of ideas hatched at ShortCircuit nurturing them into fully fledged projects with their wonderful digital partners in furtive studios and on the streets. Not only that Jon Pratty who helped Jo and I develop this line of enquiry will be chairing in his new role as Chair of Brighton Digital Festival.
We’ll be sharing their work tomorrow at Lighthouse in a special event, surrounded by other shortcircuitry from the recent SprungDigi Festival. We’ll be considering the wider context too of this work that sings The Creative Case for Diversity, We don’t just want bums on seats we want you to be part of the conversation. You can book yourself a FREE ticket for the event here, but do so quick before all the tickets run out.
A wonderful evening of showcase, talks, films discussions and all sorts of visionary collisionary. Be there.
Dolly Sen is a Short Circuit artist who will be presenting her most recent brush with digital at Brighton Digital Festival #BDF2013 tomorrow at Lighthouse in Brighton 6-8pm. A visual artist, writer, film-maker, and performer interested in non-consensual reality, outsidership, empathy, authenticity and absurdity – she teeters on such delicious edges, don’t miss them!
‘I have been labeled ‘mad’ by society. My work aims to show I make perfect sense. To that end, I am creating a website experiencing psychosis, which hears voices, thinks it is being spied upon, and that it is Jesus. It does 2 things: reflects my own experience; but also asks: what if the internet experienced madness, what would it look like, would you ever return to it, report it, what does it feel to vicariously experience psychosis? Virtual reality may not exist, but what if it didn’t exist twice removed? Or what if the psychosis makes it more real?’
I’m currently working flat out on an Arts Council commission called Heads Up – 8 short films focusing on the Creative Case for Diversity as experienced by 8 prominent arts leaders working across the arts and museum sectors. One of these films explores the work and life of the brilliant Ian Ritchie – Director of the City of London Festival and his passion for new sound worlds embodied in the recent work of Clarence Adoo and his Headspace instrument and its fusion with the ingenious tactile soundcube called Skoog developed through a NESTA funded project working with disabled young people in schools in Scotland. The combination is my Short Circuit Digital Masterpiece! Continue reading →